Hans Sloane records gourd lutes in Jamaica
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During his stay in Jamaica the physician Hans Sloane observes and has illustrated gourd-bodied, skin-headed stringed instruments made and played by enslaved Africans, which he calls "strum strumps"; the account and plates are published in 1707 in his Voyage to the Islands. The instruments as depicted combine African body and neck construction with European fingerboards and friction pegs — the combination that distinguishes a banjo from either of its parents, and the earliest such documentation this pack could establish.
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Timeline
No dated observations are stored for this object. Atlas shows what was observed and when — it does not infer a history.
Connections · 2
- Banjoconcerns
- The Middle Passageconcerns
Assembled narrative · 1
Assembled from 28 blocks · 1 evidence · 35 related
- Story
- During his stay in Jamaica the physician Hans Sloane observes and has illustrated gourd-bodied, skin-headed stringed instruments made and played by enslaved Africans, which he calls "strum strumps"; the account and plates are published in 1707 in his Voyage to the Islands. The instruments as depicted combine African body and neck construction with European fingerboards and friction pegs — the combination that distinguishes a banjo from either of its parents, and the earliest such documentation this pack could establish.
- Knowledge
- Banjo
- The Middle Passage
- Hans Sloane records gourd lutes in Jamaica
- Connections
- Banjo
- The Middle Passage
- European lute
- The Middle Passage
- Akonting
- Ngoni
- Blackface minstrelsy and the taking of the banjo
- Hans Sloane records gourd lutes in Jamaica
- The South Carolina Negro Act prohibits drums
- Jefferson names the banjar and its origin
- Blackface performers take up the banjo
- Banjo
- West Africa
- The transatlantic slave trade
- Havana
- New Orleans
- Rio de Janeiro
- The transatlantic trade in enslaved people operates
- Hans Sloane records gourd lutes in Jamaica
- Evidence
- Sloane observed and had illustrated gourd-bodied, skin-headed stringed instruments played by enslaved Africans in Jamaica, which he called "strum strumps". V55 verification basis: reported from retrieved summaries of the banjo-origins literature; the 1707 volume was not opened, no page or plate number is given, and the wording "strum strumps" is quoted at second hand.
Observed changes · 0
No public Signals are attached to this object. Signals show what changed and when it was observed — never a direction or a rank.
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