Granada falls and the Andalusi repertoire crosses to the Maghreb

Assembled from 28 blocks · 1 evidence · 12 related

1. Story
2. The end of the last Islamic polity in Iberia, followed over the next century by expulsions of Muslim and then Morisco populations, drives Andalusi families — musicians among them — across the strait into North Africa. The nūba repertoire is maintained thereafter in Fez, Tlemcen, Algiers, Tunis and elsewhere, under the names ala, ṣanʿa and maʾlūf, while the institutional tradition ends in Iberia itself. The transmission runs south at the same moment that the Atlantic crossings begin to run west.
3. Knowledge
4. Oud
5. The Andalusi nūba
6. Andalusia and al-Andalus
7. Granada falls and the Andalusi repertoire crosses to the Maghreb
8. Connections
9. The Andalusi nūba
10. Andalusia and al-Andalus
11. Oud
12. Andalusia and al-Andalus
13. Oud
14. Granada falls and the Andalusi repertoire crosses to the Maghreb
15. The Andalusi nūba
16. Córdoba
17. Ziryāb (Abū al-Ḥasan ʿAlī ibn Nāfiʿ)
18. Ziryāb arrives at the Umayyad court of Córdoba
19. A European lute is depicted in the Libro de los juegos
20. Granada falls and the Andalusi repertoire crosses to the Maghreb
21. Ngoni
22. European lute
23. The Andalusi nūba
24. Ziryāb arrives at the Umayyad court of Córdoba
25. A European lute is depicted in the Libro de los juegos
26. Granada falls and the Andalusi repertoire crosses to the Maghreb
27. Evidence
28. The Andalusi nūba tradition developed in al-Andalus between the ninth and fifteenth centuries and survives in the Maghreb as ala in Morocco, ṣanʿa in Algeria and maʾlūf in Tunisia and Libya, carried there by musicians and families displaced after 1492. V55 verification basis: retrieved in search summary blending this interview with encyclopaedic reference entries; the interview was not listened to or read in full and the attribution of each element to Reynolds specifically is not established.